On Sunday, August 4, 1782 a marriage took place in the Stephansdom in Vienna. The groom was listed in marriage register as "The noble Mr. Wolfgang Adam Mozart, a kapellmeister, bachelor."
Adam?
Imagine the box office results of the 1985 movie, starring Tom Hulce, called Adam?
Perhaps this master of name modification, having already used Gnagflow, (read it backwards), found an anagram of Amade and could not resist the impulse, even in this very formal application.
"Renaming," wrote Maynard Solomon in his biography of Mozart, "is a step toward self-creation by fictive means." Solomon explores the idea that the name was a deliberate statement, even if it was a stroke from the unconscious mind.
Solomon develops the idea by comparing Adam with Mozart. "The price of power, favor, and immortality is perpetual innocence and unquestioning obedience." Neither was able to sustain that price.
At this same time, Mozart was unable to produce acceptable documentation of his baptismal certificate. He had sent a letter asking his father to have a new copy sent from Salzburg, but dad was not in a hurry to assist him in marrying...dad believed it would distract and perhaps even wreck his trajectory and potential as a composer.
Adam was not born but directly created by God. He also lacked a certificate.
Mozart's constant alterations of his name," wrote Solomon, "are his way of experimenting with different identities, trying to tune them to his satisfaction."
