They were strange times; tense. Any established order was shifting, unsteady, swaying. Things exploded on a Thursday evening: May 29, 1913 at the Théâtre des Champs-Élysées in Paris. There was an infamous riot during the premiere that evening of "Le sacre du printemps (The Rite of Spring)" by Stravinsky:
Stravinsky begins this clip by talking of the impresario Sergei Diaghilev (1872-1929) who commissioned the early ballets by a young Stravinsky who was still largely unknown at the time.
Stravinsky's affection for Diaghilev is unconcealed [0:00-0:59]. He calls him "a kind of Oscar Wilde," which is a reference to his sexuality as well as his energy. He was "Oh...very elegant, very chic." Listen to the pop in the way Stravinsky pronounces the word "chic" [0:29]; it relays the charm and charisma of Diaghilev. Stravinsky chose to be buried near Diaghilev on the cemetery island of Venice: San Michele.
The young Robert Craft is featured on the next segment of this film [1:00-1:37]. He shares the insightful idea that the ballet form had been in a "barren period." Diaghilev saw that Stravinsky could revitalize the artform.
[1:37-2:04] Stravinsky talks Petrushka.
[2:05] The "historical scandal of Le sacre du printemps." Stravinsky describes the audience: "They shouted, [2:16] they whistled...from the beginning. [...] Then when the curtain opened on a group of knock-kneed and long-braided lolitas jumping up and down; 'Danses des Adolescentes;' the storm broke."
Stravinsky, sitting in a chair in the Théâtre des Champs-Élysées [2:44], recreated his impression of the evening: "It was full," he said sweeping his left arm, "of very noisy public. I [got] up, I said 'Go to Hell!' excuse me, monsieur, madame!"
The re-enactment: priceless.
